* Contemporary Norwegian Architecture 1995–2000 

* "Evergreens & Nevergreens". Arne Jacobsen 100 /on the photo/
   With the exhibition "Evergreens & Nevergreens", the Danish Design Centre and the 
   seven manufacturers of Jacobsen’s designs highlight the many industrially 
   manufactured design objects that are "design evergreens" today. 
   We know these objects from public places and from our own homes, where they 
   function equally well, and we live with them, proudly, year after year, happy that 
   they are still in production, survivors of hardship and market fluctuations. Thus, 
   new generations are able to build on the design heritage in their way, creating new 
   connections on the basis of their individual perception of the essential aspects of 
   Jacobsen’s design. 
   But, there are also the lesser known objects, the less commercially successful, the 
   ones that fell behind. These "design nevergreens" have been invited along to this 
   great "product family celebration" of Jacobsen’s anniversary. 

* Architect Avo-Himm Looveer (1941-2002)
   Architect Avo-Himm Looveer who passed away last year belonged to the so-called 
   Tallinn school of architects. This was a generation that initiated an innovation 
   movement in architecture, once again promoting architecture as art. Vilen Künnapu, 
   Leonhard Lapin, Jüri Okas, Toomas Rein, Tiit Kaljundi, Jaan Ollik, Ignar Fjuk, Ain 
   Padrik and Avo-Himm Looveer – they were all, to a greater of lesser extent, also 
   artists and poets. More than with real buildings they were busy invigorating 
   architectural life, introducing to it the spirit and enthusiasm of their generation. 
   Himm Looveer was somewhat exceptional in that group. He won the 1973 
   competition of the Tallinn Olympic Yachting Centre and thus secured a place for 
   himself in the history of Estonian architecture.
   Himm Looveer's exhibition was the first attempt to have an overview of his entire 
   oeuvre. Both his realised and unrealised projects were displayed, plus a great 
   number of watercolours that reveal the architect's more lyrical side. 

* ARCHITECTURE 1900
  Stockholm, Helsinki, Tallinn, Riga, St Petersburg
   This exhibition, based on close and ambitious co-operation between the Estonian, 
   Finnish, Latvian and Swedish museums of architecture, the State museum of the 
   History of St Petersburg and the Gotland County Administrative Board, seek to 
   convey knowledge of the vigorous architectural contacts between the different 
   countries between 1885 and 1915. This was a dynamic period for the Baltic Sea 
   region. The period presents a break with the eclectic architecture of the 19th 
   century and an exploration of new forms, leading to a freer architecture using new 
  materials, asymmetrical shapes, ornamental décor and authentic materials.
   The terms Jugend/Art Nouveau and National Romanticism/Material Realism have 
   been applied to this period, despite the absence of any uniform styles. 

* ROMANTIC BURMAN. Architect Karl Burman's drawings 
   Architect Karl Burman (1882-1965) is one of the founders of Estonian national 
   architecture. As a representative of the "national-romantic" movement, he was 
   one of the first to concentrate on the national motifs in Estonian architecture. 

* VAHEKORRUSED - VAHEKORRAD. 
   Sculptor Ojaver & architect Puusepp

* arcHH - Architektur made in Hamburg